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One of the key elements of any great house party is its guest list, which might explain why there’s no shortage of big name cameos in the new movie, House Party. The film, which releases in theaters on Friday, is a reimagining of the cult classic 1990 film of the same name, which starred rap duo Kid ‘n Play as high schoolers throwing a party while their parents are gone. People re-create the dance-off at weddings, while a torrent of GIFs have preserved the scene on hallowed social media ground.
Is House Party A Sequel Or Reboot Of The 1990 Movie? - Screen Rant
Is House Party A Sequel Or Reboot Of The 1990 Movie?.
Posted: Sun, 15 Jan 2023 08:00:00 GMT [source]
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Review: 'House Party' Is Not a Party Worth Attending - Pajiba Entertainment News
Review: 'House Party' Is Not a Party Worth Attending.
Posted: Fri, 20 Jan 2023 08:00:00 GMT [source]
Misfortune however befalls Kid no sooner then he starts his semester after he gets conned out of his tuition money. One thing leads to another before the duo wind up hosting a party on the campus to help Kid stay in college. House Party isn’t just one of the most important black films ever made—it’s one of the most important films of the late 20th century, a movie that showed Hollywood the breadth of the black experience, and the immense interest in it. A lot of the energy in the movie comes from the natural, unaffected performance of Reid as the teenager who will do anything to get to that dance. He has an engaging, off-center rhythm that suggests he plans to think his way through life instead of making a frontal assault. In his encounters with the jocks from his high school, he tries to talk his way out of tight spots, and his seduction technique with girls is almost entirely verbal; he'll convince them they like him.
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The lead roles were originally written for DJ Jazzy Jeff & The Fresh Prince. The franchise was later continued in a series of direct-to-video installments that had little to do with the original three films. The headline for a New York Times piece that ran just days before House Party hit theaters proclaimed, “In Hollywood, Black Is In.” Despite how Hollywood might have viewed black cinema, it wasn’t a mere trend. House Party was about to prove there was potency in putting black people in the center of a universal experience. Young Fly, and it’s this character who I think demonstrates the weird limitation of the movie — that it’s simply not very funny. Vic is a drinker who likes to guzzle from a bottle of Hennessy when he’s spinning, and D.C.
'House Party' Release Dates
Billionaire tech entrepreneur Mark Cuban appears as himself in a scene that pokes fun at the myth of the Illuminati. In the film, Kid Cudi’s character takes Kevin and Damon to another party, this one thrown by the Illuminati, where Kevin attempts to pitch Cuban, Shark Tank-style, while mingling with other guests. House Party is a light, entertaining teen comedy with an infectious energy. The film received seven nominations at the 1991 Independent Spirit Awards.[15] Film director Reginald Hudlin was nominated for Best Director), Christopher "Kid" Reid was nominated for Best Male Lead), Tisha Campbell and A.J. Johnson were both nominated for Best Supporting Female), Robin Harris was nominated for Best Supporting Male), and the film's cinematographer Peter Deming was nominated for the Best Cinematography.
Walter Emanuel Jones rose to prominence playing Zach Taylor, the original Black Power Ranger in Mighty Morphin Power Rangers, a role that he cheekily references during his scene in House Party. During his appearance in the film, Jones, who plays himself, pokes fun at the role as partygoers recognize him. Two desperate players try to stage the ultimate party at LeBron James's house, but the movie lacks the innocence — and the laughs — of its predecessor.
Foreign theatrical and video potential is considered very limited. Combined with the film’s ethnic wit and edge, and its raucous energy, it adds up to a cultural richness rarely found in standard teen comedies. The third movie (1994) see Kid getting married to his girlfriend Veda (who was introduced in this movie rather than his past girlfriend Sidney (Tisha Campbell). Play meanwhile has gone into the music business as a manager to a female rap trio, Sex as a Weapon (TLC).
Due to poor marketing and immensely negative reviews, the film’s underperformance at the box office has effectively ended the series for good. After that film was poorly received and flopped in sales, the series supposedly fell by the wayside and was thought finished. But much to many a surprise, a fifth film, Tonight's The Night, was released in 2013. A legacy sequel to the ‘90s trilogy, this film instead features new characters and follows the protagonist Chris (Tequan Richmond) finishing high school but will end up leaving his best friend and crush.
Some critics took Spike Lee to task for the same alleged omission in “Do the Right Thing,” and “House Party” has been similarly questioned. The rap duo Kid n’ Play (Christopher Reid--with his distinct Afro-Eraserhead look--and Christopher Martin, respectively) star as Kid and Play; Robin Harris (the beefy “corner man” from “Do the Right Thing”) is the suspicious dad, and Tisha Campbell and A.J. Johnson portray two smart, independent teen-age girls who get involved with the boys. Perhaps not since “Cooley High” (1975) has a feature film given black adolescents so much equal opportunity to hang loose and be themselves--without being perceived as threatening sociopaths.
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There’s the slow dance to Heatwave’s “Always and Forever.” There’s even Kid’s surreal jailhouse rap, which Hudlin now regrets for its homophobia (“There’s nothing worse than offending people who you don’t mean to offend,” he says). But what makes the dance-off stand out is the buoyant “Ain’t My Type of Hype.” The song, originally included on Full Force’s 1989 album, Smoove, blew up due to the movie. “The Hudlin brothers loved that song, and to this day, because of House Party, ‘Ain’t My Type of Hype’ is our most popular song ever,” says George. In 2018, it was announced that basketball star LeBron James, along with his SpringHill Entertainment partner Maverick Carter would be producing a new House Party film with Stephen Glover and Jamal Olori writing the screenplay.
There is a certain deadening way in which some critics have taken to evaluating recent films about blacks, in which points are given for positive image reinforcement, useful themes and the promotion of middle-class values. To describe "House Party" in those terms would be unfair and would miss the whole point of the movie's energy and exuberance. It was refreshing for a change to see a story about young blacks that didn't revolve around social problems, thriller elements, drugs or any particular form of seriousness. "House Party" is silly and high-spirited and not particularly significant, and that is just as it should be. The movie's hero is Kid (Christopher Reid), a bright goofball with a haircut that makes Eraserhead look like a Marine.
“They’re my homegirls, but we smoked them.” (Neither Campbell nor Johnson could be reached for comment.) All parties brought their A-game, so the audience is the true winner. Set in the urban heartland somewhere between Los Angeles and New York, the story follows a rap-writing teen-ager named Kid, grounded by his strict but loving father, as he sneaks out of the house to attend a party being thrown by his best buddy, Play. Getting to the party safely, connecting romantically, singing his latest rap song and sneaking home without getting caught forms the basic plot. While their movie, “House Party,” due for release Friday, is essentially a lightweight teen comedy, it’s a quintessentially black teen comedy. The second film (1991) sets Kid, now living with Play after his father died (as Harris had died not long after finishing the first movie) off to college thanks to some charity of his local church. This is much to the chagrin of his friend who wants Kid to go into music with him after they got the attention of a record producer.
“House Party” has some lapses and offenses--including a jail scene where Kid fends off potential rapists with a nervous impromptu rap about AIDS, Rock Hudson and Liberace. There’s an interlude at a pool-side party with local black bourgeoisie, which doesn’t work as social commentary, music criticism or comedy. And it seems strange to hear Harris’ Pops wandering around muttering about curfews when he knows Kid has snuck off. Full Force completely rewrote their characters’ dialogue (adding their catchphrases, of course) so they didn’t come across like the archetypal bullies Brian “B-Fine” George and Paul “Paul Anthony” George played in Krush Groove. “I said look, if [the Hudlin brothers] don’t like it, I’ll go back to the original script—as boring and bland as it may be,” George remembers, explaining how he improvised to make the trio feel three-dimensional.
It’s a Friday evening, the end of a week the Hudlins have spent pitching projects across power desks to the kind of executives who make and break deals, sometimes careers. It took just one weekend at the box office for House Party to recoup its budget—and then some. House Party succeeded far beyond anyone’s expectations, and the response at early screenings revealed that the film was special. “A lot of movie makers of this type of film still look at House Party, business-wise, as a level to reach,” says Martin.
After meeting Reid in a New York City club and bumping into him a few more times, Hudlin eventually got him to read the script. “It was kind of my job in the crew to read stuff,” says Reid. “When you’ve got rap kingpins like Run-DMC doing a movie that a lot of people don’t remember or know like Tougher Than Leather, I was like, ‘If those guys can’t do a movie, then who are we to think we could achieve such a thing? The mythology surrounding King James looms large over this film, as not only a producer and co-star in the film, but especially because the movie’s premise revolves around a rowdy house party thrown in James’ L.A.
After getting a call from school about Kid's fight with Stab, Pop changes his mind and grounds Kid for his actions. Kid’s nemeses, played by Full Force (the brothers Paul Anthony, Bowlegged Lou and B. Fine George) keep crossing his path with increasingly violent results. Two white cops (Barry Diamond and Michael Pniewski) cruise around, desultorily chewing doughnuts and keeping order. And every party boor imaginable--from a comatose drunk to a guy who keeps bumping into the stereo--shows up to do a number.
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